New PDF release: Listening for Africa: Freedom, Modernity, and the Logic of

By David F. García

ISBN-10: 0822363704

ISBN-13: 9780822363705

In Listening for Africa David F. Garcia explores how a various staff of musicians, dancers, lecturers, and activists engaged with the assumption of black tune and dance’s African origins among the Thirties and Fifties. Garcia examines the paintings of figures starting from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black tune and dance with Africa and nature could aid notice modernity’s provides of freedom within the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear probability firstly of the chilly struggle. In examining their paintings, Garcia strains how such makes an attempt to hyperlink black tune and dance to Africa by accident strengthened the binary relationships among the West and Africa, white and black, the trendy and the primitive, technology and magic, and rural and concrete. It used to be, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and efficient our bodies, and of medical fact that helped defer the conclusion of person and political freedom within the world.

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Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins by David F. García


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