The Early Tudor Court and International Musical Relations by Theodor Dumitrescu PDF

because the days within the early 20th century whilst the examine of pre-Reformation English tune first grew to become a significant endeavour, a conceptual hole has separated the scholarship on English and continental song of the past due 15th and early 16th centuries. The instructing which has knowledgeable generations of scholars in influential textbooks and articles characterizes the musical lifetime of England at this era via a language of separation and conservatism, saying that English musicians have been principally ignorant of, and unaffected through, international practices after the mid-fifteenth century. The to be had historic proof, however, contradicts a facile isolationist exposition of musical perform in early Tudor England. The expanding visual appeal of quite often continental stylistic features in mid-sixteenth-century English song represents now not an arbitrary and unforeseen shift of compositional technique, yet quite a improvement prefaced by way of a long time of documentable ancient interactions. Theodor Dumitrescu treats the problem of musical kinfolk among England and continental Europe through the first many years of the Tudor reign (c.1485-1530), through exploring a number of ancient, social, biographical, repertorial and highbrow hyperlinks. within the first significant research dedicated to this subject, a wealth of documentary references scattered in fundamental and secondary resources gets a long-awaited collation and research, revealing the significant function of the 1st Tudor monarchs in internationalizing the royal musical institution and environment an instance of substantial import for extra frequent English inventive advancements. by means of bringing jointly the facts pertaining to Anglo-continental musical kin for the 1st time, in addition to new records and interpretations touching on musicians, track manuscripts and conception resources, the research paves the best way for a brand new evaluate of English musical kinds within the first half the 16th century.